Alright. The new Sony FX2 just dropped!
Like always, the hype train is at full speed.
But is this camera actually what filmmakers and content creators need, or just another release to fill a gap?
Let’s skip the hype and get straight to what matters.
Specs in a Nutshell
Here’s what actually counts on the Sony FX2:
Sensor: 33MP full-frame Exmor R CMOS
Video: 4K up to 30p (oversampled from 7K, full-frame), 4K 60p (only in APS-C crop, not full-frame), 10-bit 4:2:2 internal, 16-bit RAW via HDMI
Autofocus: AI-powered Real-time Recognition AF, tracking human, animal and bird eyes
Viewfinder: Tilting 3.68m-dot OLED EVF
Stabilization: 5-axis IBIS with Active Mode
Audio: Up to 32-bit float via optional XLR-H1 handle
ISO: Dual Base ISO at 800 and 4000, expandable to 102400
Design: Compact, light, multiple mounting points, cage-free
Connectivity: Full HDMI, USB-C, Wi-Fi, LAN, dual card slots (CFexpress A/SD)
Dynamic Range: Claimed 15+ stops
The biggest change from the FX3 is the sensor. You get more megapixels, better stills, oversampled 4K, an EVF, improved autofocus, but you lose full-frame 4K 60p (and of course a bit of the low-light performance)
Find the official product page from Sony here!
How does it actually feel to shoot with?
I’ve been through a lot of Sony cameras over the last decade.
Specs look good on paper, but what matters is the experience in real shoots.
On set, at a wedding, during travel, at an event or in your mum's basement making YouTube content, the camera needs to work with you, not against you.
The FX2 feels professional straight out of the box (just like the FX3).
It’s lighter than it looks and the mounting points mean you don’t have to build a cage just to make it usable. The tilting EVF is a lifesaver when you’re shooting in bright sun or need to check exposure quickly. No more squinting at a washed-out screen.
If you shoot both video and stills, this sensor is a real upgrade.
You finally get sharp, detailed photos from a camera that’s meant for filmmaking too.
No more swapping to a photo body for BTS or quick product shots.
The Real-World Compromises
Let’s keep it real.
4K 60p only works in APS-C crop.
That’s a bummer for anyone who shoots full-frame slow motion.
You will notice the difference, especially if you loved that full-frame look on the FX3.
The 33MP files are massive.
Be ready to invest in new storage if you shoot a lot of stills.
And as for dynamic range, Sony claims 15+ stops.
Autofocus though, is insane.
The AI tracking is fast, sticky and honestly better than anything I’ve used on a Sony (or on par with my A7CII)
Audio Upgrades that actually matter
Good audio is the difference between pro and amateur.
The FX2 gives you 32-bit float audio with the XLR-H1 handle.
This means no more ruined takes because of peaking or unexpected volume jumps.
You also get all the classic ports, so you can plug in whatever mic or headphones you want.
For indie filmmakers, event shooters and YouTubers, this is real peace of mind.
Workflow and Usability in Real Life
Sony finally delivers on connectivity.
Full-size HDMI for proper monitoring and recording.
USB-C for fast file transfer and charging.
Wi-Fi and LAN for instant backup or streaming.
Dual card slots keep you rolling even if one fills up.
Menus are still classic Sony...if you’re used to them, you’ll be fine.
The layout is solid and you can customize almost everything.
Who is the FX2 really for?
The FX2 is built for the new generation of hybrid creators.
If you do both video and stills, this could be your all-in-one workhorse.
If you already own an FX3 and love shooting full-frame 4K 60p, you have to decide if higher stills quality and the new features are worth that tradeoff.
Wedding filmmakers, travel shooters, YouTubers, doc makers...if you want a small camera with pro features and killer image quality, this is a serious option.
If you only need pure video features, the FX6 is still the boss.
If you want slow motion in full frame, you’ll need to look elsewhere.
But if you want one camera that does almost everything and fits in your bag, the FX2 delivers.
My honest verdict
Sony gets a lot right with the FX2.
It’s not a simple FX3 upgrade — it’s something new for hybrid shooters.
You get sharper images, better autofocus, great audio and a body that’s easy to set up and use on the go.
For many content creators, this camera is almost a dream.
For some pure video shooters, it’s a sidestep instead of a leap.
If you want a tool that lets you work fast, stay mobile and not miss moments, the FX2 is worth your attention.
Final Thoughts and should you buy it?
No camera is perfect.
The FX2 is the most balanced Sony camera I’ve seen in years for creators who do it all.
If you want one camera for pro video and killer stills, this is the best you can get right now from Sony.
Take the FX2 out.
Shoot something that matters to you.
That’s where you’ll see what it can really do.
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