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Tax included.
Which License do I need?
If you’re an individual filmmaker, freelancer, YouTuber or a small production team with fewer than 6 employees, choose the Creator License.
Companies, studios or teams with 6 or more employees need the Business License.
The Film Emulation we always wanted. So we built it.
If you're looking for a real Dehancer alternative that doesn’t slow your Mac down or break the bank, this is it. We’ve used Dehancer for years. And yes, the looks are solid. But the performance is terrible. The price? Ridiculous. And half the settings are just useless.
So we built a Film Emulation Plugin for Final Cut Pro that does what matters. Instant results: Cinematic looks with the aesthetics of analog film in under 2 minutes.
Blazing fast performance. At a fraction of the cost of Dehancer.
Real-time playback with bloom, halation, film grain and beautiful film looks. No lagging sliders. No features you don't use anyway. Just pure film vibes.
EMUL8 Film Emulation includes:
✔️ 10 iconic Film Emulation Looks (built for every camera)
✔️ Color Correction Tools for Fine Adjustments
✔️ The best Color Density control out there
✔️ Insanely beautiful Halation with presets
✔️ Cinematic Bloom Effect (Throw your mist filter in the trash)
✔️ Organic 8mm, 16mm, 35mm, and 65mm Film Grain
✔️ Vignetting
✔️ Film Resolution Slider for less digital sharpness
Each effect can be turned on or off.
Compatibility
Built only for Final Cut Pro 11.1 or later
No matter if you shoot Sony Slog3, Canon Clog3, Fuji F-Log, Nikon Z-Log, RED Log3G10, REDlogFilm or DJI Dlog: We created our Film Looks for each individual Log-profile out there. No matter what you shoot, we’ve got you covered.
⚠️ EMUL8 supports Log and Rec.709 color spaces only. To use HDR footage (HLG or BT.2020), convert it to Rec.709 with Final Cut Pro’s HDR Tools first!


Compatible Cameras & Profiles
EMUL8 is built to deliver precise film emulation and cinematic color grading for professional filmmakers. It supports a wide range of camera brands and log profiles as well as Rec.709 & sRGB.
EMUL8 works seamlessly with Final Cut Pro and supports Log and Rec.709 color spaces. If you want to work with HLG, HDR or RAW footage please take a look at our tutorials here!
Our Tutorials & FAQ- Apple Log Rec.2020
- LogC3 ARRI Wide Gamut 3
- LogC4 ARRI Wide Gamut 4
- Film Gen 4 DaVinci Wide Gamut
- Film Gen 5 DaVinci Wide Gamut
- C-Log (BT709, BT2020, Canon Cinema Gamut)
- C-Log 2 (BT709, BT2020, Canon Cinema Gamut)
- C-Log 3 (BT709, BT2020, Canon Cinema Gamut)
- Action 5 D-Log M
- Air 25 D-Log M
- Mavic 2 Pro D-Log M
- Mavic 3 Pro Cine D-Log
- Mavic 3 Pro D-Log M
- Mini 4 Pro D-Log M
- Phantom P4 D-Log
- Osmo Pocket 3 D-Log M
- F-Log BT.2020
- F-Log 2 BT.2020
- F-Log 2 C F-Gamut C
- Log
- Pro Tune Native
L-Log (BT709, BT2020)
- N-Log BT2020
- Flat BT709
- OM-Log 400 (BT2020, P3-D65)
- V-Log V-Gamut
- Phantom Log 1
- Phantom Log 2
- Log3G10 RED Wide Gamut
- HLG (1/2/3) BT2020
- S-Log (S-Gamut, S-Gamut3, S-Gamut3.Cine)
- S-Log 2 (S-Gamut, S-Gamut3, S-Gamut3.Cine)
- S-Log 3 (S-Gamut, S-Gamut3, S-Gamut3.Cine)
- Z-Log 2
If you like to use EMUL8 directly on your Rec.709 or sRGB footage, we got you covered.